You and your phone.
The app gives you an idea and the script scrolls right on screen. You don't have to memorize a thing.
You film. We come up with the idea and edit the video. The app's almost ready, so sign up and be the first one in.
Check your email: there'll be a message from me within a minute. I'll tell you when we go live, and send you a few things you can already use.
The app gives you an idea and the script scrolls right on screen. You don't have to memorize a thing.
Film with two or three people. The app stitches the separate shots together.
Edited, subtitled, with a caption. You just hit post.
"I've got 100 ideas sitting in my notes and no clue which ones will actually work. And when I do make one, editing eats three hours."
Seqento gives you formats proven to work in your niche, and edits the video while you're already thinking about the next one.
"I've got clients all day. By the evening I have zero energy left to edit, so I post nothing. And another week goes by."
Film once a week, in between everything else. Your videos are ready to post before you're even done tidying up.
"An agency charges €2,000 to €5,000 a month. And we still have to figure out what to say ourselves."
Same output, in-house, without hiring an editor. Your team films, Seqento does the rest.
"My music is done. But I also have to make content to get anyone to listen to it, and that's not what I'm made for."
Seqento turns your release into videos that stop people mid-scroll. All you have to do is be yourself on camera.
"I know I need to be visible to get clients. But what do I even talk about, day after day?"
Every day there's a concrete idea ready from your field. Film it, done, posted, before your first client walks in.
I'm Malcom. I was fifteen when I edited my first videos in Windows Movie Maker and Sony Vegas, staying up all night for something like forty seconds of footage.
Fifteen years later, I make videos for every social platform there is. I've spent more than 2,500 hours editing by now. And here's the strange thing: editing was never the fun part. The fun part is the idea, and the moment someone reacts to what you made. Everything in between is work nobody's waiting for.
Meanwhile, I watched entrepreneurs around me give up. Not because they had nothing to say, but because the barrier was too high. A hairdresser who knows exactly why clients come back, but has no idea how to get that into a thirty-second video.
That's why I'm building Seqento. The app I wish I'd had at fifteen: you film, everything else is taken care of. So you get those evenings back, and stay visible every week anyway.